New exhibition will show what the architecture of Pilsen was like in the 1960s

Plzeň - Visitors have an extraordinary opportunity to learn about the architecture of Plzeň in the 1960s through a new exhibition by the West Bohemian Gallery. The exhibit in the exhibition hall "13" showcases what was created in the city during this seemingly most liberated period of totality, in terms of designs and realizations. Many buildings no longer exist, many have been reconstructed, and others are likely facing destruction. The greatest chances of survival are held by the brewery gate on U Prazdroje Street and the Central Hotel in Republic Square, said the exhibition's author, Petr Domanický, to ČTK.
    "This period is enormously interesting, in contrast to the 1950s with freedom and openness to new trends. The goal is to recognize and remind this yet disregarded period in Plzeň and highlight the greatest architectural values that were created in the city at that time," he stated.
    In the 1960s, Plzeň began undergoing an unprecedented urban transformation, with the construction of panel housing estates and significant reconstruction of the city center. The first territorial plan, which was approved, was also created. It accounted for widespread demolitions in the center and the expansion of roads.
    Many projects from that time had nationwide significance, including the tower blocks in Bory and the exhibition hall pavilions, as well as the winter stadium. The stadium is among the most interesting and still preserved buildings. "Despite some subsequent interventions that have harmed it, the principle is still preserved and justifies the inclusion of the building among cultural monuments," Domanický mentioned. The stadium is notable for its unique structural and artistic solution. "On the sides of the stands, deltoids have been constructed, from which steel cables are suspended, supporting the roof of the building. The deltoids also create a characteristic perforated façade," Domanický explained.
    Among other preserved buildings, some are likely to disappear soon; for example, the reconstruction or possible demolition of the Prior department store is being considered, and the fate of the interior of the Chamber Theatre remains unclear.
    In addition to period photographs, original designs, and reproductions of plans, magazines, books, and household items, there is also a sculpture by Jan Kodet, a model of the so-called Fisherman’s Bastion, and a functional model of a neon sign, which is a miniature of the sign from the Plzeň exhibition grounds.
    A publication accompanying the exhibition, which will run until February 9, is also being released, along with a supplementary program.