<translation>Apartment Karlín IV</translation>

CONCEPT: BLUE MONOLITH AND FLUIDITY OF MOVEMENT
The central motif and aesthetic focus of the entire design is the blue furniture box. This object is not merely a storage solution, but a functional sculpture that flows seamlessly from the entrance to the kitchen area. While it provides essential support in the entry zone, it organically becomes part of the countertop in the kitchen.
The feeling of natural overlap between spaces is enhanced by the consistent use of rounded corners. This soft geometry is not only evident in the main box but permeates the entire interior – from the freestanding solitaire in the space to details like circular mirrors. The arc element becomes an unobtrusive yet omnipresent adhesive that unites the diverse functions of the apartment.

"We designed the space to naturally transition from one zone to another. The element of the arch is a connecting feature that visually softens the dynamics of urban living."

AESTHETICS: BETWEEN THRESHOLD AND ORIENT
The overall visual identity of the apartment finds inspiration in Asian aesthetics. The calmness and order, so typical of Eastern interiors, is represented here through the use of solid wood and the motif of vertical slats. These become the second key unifying element.
The use of oak slats and paneling serves a dual role in the design. In the configurations of built-in wardrobes, they provide a visual lightness to large surfaces, which, thanks to the grid, do not appear monolithic but rather subtle. In the bathroom, the same element creates an intimate atmosphere of home wellness, where the play of light and shadow on the wooden surface evokes a sense of calm and relaxation.