Hanjie Wanda Square shopping mall

Facade and interior design

Hanjie Wanda Square shopping mall
UNStudio team:Astrid Piber, Ger Gijzen, Mo Lai, Konstantinos Chrysos, Ariane Stracke, Veronica Baraldi, Thomas van Bekhoven, Elisabeth Brauner, Rodrigo Cañizares, Luis Etchegorry, Albert Gnodde, Ka Shin Liu, Chiara Marchionni, Cynthia Markhoff, Tomas Mokry, Iris Pastor, Machiel Wafelbakker, Shuang Zhang, Jinming Feng, Xinyue Guo, Cheng Gong; výroba modelu: Patrick Noome, Todd Ebeltoft, Ali Ashgar
Address: ShaHu Ave., Wu Chang Qu, Wu-chan, China
Investor:Wuhan Wanda East Lake Real State Co., Ltd
Completion:2011 - 2013
Area:22630 m2


Hanjie Wanda Square is a new luxury shopping plaza located in the Wuhan Central Culture Centre, one of the most important areas of Wuhan City in China. Following a competition in 2011, with design entries from national and international architects, UNStudio’s overall design was selected by Wanda as the winning entry for the facade and interior of the Hanjie Wanda Square. The shopping plaza houses international brand stores, world-class boutiques, catering outlets and cinemas.

In UNStudio’s design the concept of luxury is incorporated by means of focussing on the craftsmanship of noble, yet simple materials and combines both contemporary and traditional design elements in one concept.
Ben van Berkel: “Reflection, light and pattern are used throughout the Hanjie Wanda Square to create an almost fantastical world. New microcosms and experiences are created for the shopper, similar perhaps to the world of theatre, whereby the retail complex becomes almost a stage or a place of performance and offers a variety of different impressions and experiences to the visitor.”

Synergy of flows — For the design of the Hanjie Wanda Square attention and visitor flows are guided from the main routes towards the facades and entrances of the building. From the three main entrances visitor flows are thereafter guided to two interior atria.
The concept of ‘synergy of flows’ is key to all of the design components; the fluid articulation of the building envelope, the programming of the dynamic façade lighting and its content and the interior pattern language which guides customers from the central atria to the upper levels and throughout the building via linking corridors.

Façade design — The façade design reflects the handcrafted combination of two materials: polished stainless steel and patterned glass. These two materials are crafted into nine differently trimmed, but standardised spheres. Their specific positions in relation to each other recreate the effect of movement and reflection in water, or the sensuous folds of silk fabric.
The geometry ranges from full stainless steel spheres to a sequence of gradually trimmed spheres down to a hemisphere, with an inlay of laminated glass with printed foil. The spheres have a diameter of 600mm and are mounted at various distances on the 900 x 900mm brushed aluminium panels, which were preassembled and mounted on site.
The architectural lighting is integrated into the building envelope’s 42.333 spheres. Within each sphere LED-fixtures emit light onto the laminated glass to generate glowing circular spots. Simultaneously a second set of LED’s at the rear side of the spheres create a diffuse illumination on the back panels.
A total of 3100000 LED lights where used to cover the 17894 sq.m. media facade. Various possibilities to combine and control these lights allows diverse media lighting effects and programming of lighting sequences related to the use and activation of the Hanjie Wanda Square.

Interior concept — The interior concept is developed around the North and South atria, creating two different, yet integrated atmospheres. The atria become the centre of the dynamic duality of the two Hanjie Wanda Square identities: Contemporary and Traditional. Variations in geometry, materials and details define these differing characters.
Ben van Berkel: “In Hanjie Wanda Square a circular motif is repeated in many different ways, both in the facade and throughout the interior. The patterns used were influenced by numerous cultural references, both traditional and contemporary and are connected to fashion, products and everyday consumer items, but also to the use of pattern in art and in our cultural history. Patterns drive our aesthetic choices, whether they be personal or shared and in Hanjie Wanda Square act as a background to the world of desire encapsulated in the contemporary shopping plaza.”

Facade surface: 30.500 m²

Advisors:
Funnel structure: Arup SHA
Facade:  Arup SHA
Lighting facade: ag Licht, with LightLife

Local advisors and constructors:
LDI architecture: CSADI, Central South Architectural Design Institute, INC.
LDI façade: Beijing JinXinZhuoHong Facade Engineering Company Ltd.
LDI interior: Beijing Qing Shang Architectural Design Engineering Co. Ltd
LDI Lighting: BIAD Zheng Jian Wei lighting design studio

Main structure: China Construction Second Engineering Bureau Ltd.
Façade construction: FANGDA Design Engineering Co. Ltd, Shenzhen
Facade lighting: BUME Lighting Design & Engineering Co. ltd, Shenzhen
Funnel structure: Shanghai General Metal Structure Engineer Co. Ltd, GMS
Landscape design: Ecoland
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